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	<title>Letters from the editor &#187; critics</title>
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		<title>Letters from the editor &#187; critics</title>
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		<title>Who&#8217;s viewing the reviewer?</title>
		<link>http://rvives.wordpress.com/2008/08/14/whos-viewing-the-reviewer/</link>
		<comments>http://rvives.wordpress.com/2008/08/14/whos-viewing-the-reviewer/#comments</comments>
		<pubDate>Thu, 14 Aug 2008 18:45:16 +0000</pubDate>
		<dc:creator>vives</dc:creator>
				<category><![CDATA[InkBleed]]></category>
		<category><![CDATA[critics]]></category>
		<category><![CDATA[Film Reviews]]></category>

		<guid isPermaLink="false">http://rvives.wordpress.com/?p=174</guid>
		<description><![CDATA[Whenever friends and colleagues introduce me to a new acquaintance as a film critic, I often take the introduction back and reintroduce myself as a movie reviewer. I&#8217;ve been asked if there was a difference, and I believe there is so. But that will be the subject of a future entry.
I have been wondering how seriously [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=rvives.wordpress.com&blog=3943495&post=174&subd=rvives&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p>Whenever friends and colleagues introduce me to a new acquaintance as a film critic, I often take the introduction back and reintroduce myself as a movie reviewer. I&#8217;ve been asked if there was a difference, and I believe there is so. But that will be the subject of a future entry.</p>
<p>I have been wondering how seriously film reviews and criticism are taken here in the Philippines, particularly cineplex-ridden Metro Manila. Personally I have had my share of reactions to my reviews both fierce and flat &#8211; so, in a way, I know Pinoys do read reviews. But why? What for?</p>
<p>Academically these questions are an excercise in validity. Recently during the forum section of the Young Critics&#8217; Circle 2007 film citations at the University of the Philippines, my former teacher Nick Deocampo practically challenged the point of group&#8217;s annual excercise. I maybe wrong in reading what Nick was saying, but he was asking why, in stressing the achievements of <span style="text-decoration:underline;">digital/indie</span> productions vis-a-vis mainstream fare, YCC was essentially giving out citations that are mere variations of <span style="text-decoration:underline;">Industry</span> awards to <span style="text-decoration:underline;">narrative</span> film, instead of affirming its academic base and give citations that encompass the breadth of the definition.</p>
<p>I was struck by this observation. If this is true, YCC is no different from the average Pinoy with enough shrewdness to distinguish the Best Perfomance of the Year. <em>Buti na lang</em> <a href="http://criticine.com/main.php" target="_blank">Criticine.com</a> from Univeristy of Asia and the Pacific prof Alexis Tioseco doesn&#8217;t carry annual awards. That&#8217;ll be the day. (Or have you, Alexis?)</p>
<p>So: do film reviews matter to the average Pinoy viewer (outside the Academic)? My interest is in setting up a Pinoy version of <a href="http://www.rottentomatoes.com/" target="_blank">Rottentomatoes</a>, and not in pursuing a journal on Pinoy film.</p>
<p>To the few readers who stumble on this site, particularly Filipinos, I inquire: <strong>Is there a  need for a Pinoy version of Rottentomatoes?</strong> Would the common Internet-active moviegoing Pinoy benefit from a compilation of published film reviews from regular Filipino film reviewers (obviously I hesitate to use the term <em>critic</em>)? Should I care? (Oops, the last one came from my good twin.)</p>
<p>I have a few answers of my own, but if this shout to address my attention deficiency falls on deaf ears, the answer becomes obvious.</p>
<p>I plead for comments. Thanks.</p>
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